I finished Voltaire’s Candide. I bought it I don’t know how long ago, but I’d get distracted with other books as I often do and just forgot about it until recently. All I can say is “Wow!” It was an excellent satire of philosophy in general. Me, being who I am though, I read it through a lens of pessimism, absurdism, and anti-natalism. It’s surprisingly modern and disturbingly relevant.
Right from the start the main character — Candide — and his world are full of relentless misfortune: he starts out expelled from his home, pushed into a brutal army; he witnesses earthquakes, massacres, and hangings. Everywhere he goes, human cruelty and disaster dominate.
For someone like me that’s attuned to anti-natalist thought, the lesson is clear: life is unpredictably cruel, and no amount of idealism or hope can shield anyone from suffering. The character of Pangloss and his philosophy — “this is the best of all possible worlds” — is not comforting. It’s absurd. Voltaire mocks it precisely to show that optimism can blind us to reality.
Candide meets kings unthroned, slaves chained to oars, prostitutes forced by circumstance, and monks trapped in religious life against their will. From the sites of Libson to El Dorado and Paris to Venice, suffering is universal. It doesn’t discriminate by wealth, status, or virtue.
All of this perfectly aligns with anti-natalism. Why bring new life into a world so unpredictable, so cruel, and so universally painful? Voltaire’s stories of absurdly recurring disasters reinforce the ethical argument that procreation inevitably imposes suffering on others. Human ideas are fragile. Pursuits that seem meaningful such as love, wealth, status, and fame often collapse under the weight of reality. For an absurdist like myself, this is expected. The universe offers no inherent purpose and our “ideals” are more likely than not arbitrary constructs.
The end of the book says “We must cultivate our garden.” This is Voltaire’s practical work. Life is absurd and full of suffering, but we can still create meaning in small, tangible ways: tending to our responsibilities, helping others, or our own little personal projects. For an absurdist anti-natalist this means to me:
Accept the universe’s lack’s lack of inherent meaning. Do what you can to reduce suffering wherever possible. And focus on tangible, ethical, or creative work rather than abstract speculation.
So, what did I take away from the satirical work? I learned through its absurd coincidences, relentless misfortunes, and philosophical debates that it mirrors these truths: life is cruel, unpredictable, and often meaningless.
However, like Candide, we are not powerless. We can act, work, and cultivate our little gardens in such a chaotic world, and in doing so, carve out a fragile, ethical, and perhaps even joyful corner of existence.