Reconciling Ozzy’s Legacy

Ozzy Osbourne was never meant to be a saint. He bit the head off a bat and dove, survived decades of drug abuse, tried to kill his wife (while under the influence of drugs), and still made his way into a global icon. Like many public figures though — especially from his generation — he carried contradictions. And lately, one of those contradictions has come under fire: his support for Zionism.

As someone who grew up worshipping Sabbath and Ozzy, I’ve been struggling to reconcile my love for his legacy with my politics. I’m anti-Zionist. I believe in the liberation of Palestine and the end of apartheid. And Ozzy’s apparent support for Israel during a time of intense suffering in Gaza felt like a gut punch.

But then came his farewell show: Back to the Beginning. A titanic goodbye organize by none other than Tom Morello: guitar god, anti-Zionist activist, and arguably one of the most politically consistent artists of our time. Morello curated the whole event, helped raise nearly $200 million for Parkinson’s and children’s hospitals, and sat side-by-side with Ozzy to send him off.

So what the hell do I do with that?

Do I cancel Ozzy? Do I cancel Morello for working with him? Do I cancel myself for loving them both?

No. I sit with the contradictions. Because real politics aren’t clean. They’re messy, emotional, and riddled with human inconsistency.

Ozzy supported Black Lives Matter. He stood up for the LGBTQ+. He raised a staggering amount of money for causes that matter. He was also, like many aging boomers, wildly out of his depth when it came to the geopolitics of Israel and Palestine. That doesn’t excuse it, but it does contextualize it, especially considering his declining health and the heavy medications he was on during his final years.

Morello’s participation doesn’t “excuse” Ozzy either, but it does suggest that celebrating someone’s musical legacy doesn’t always mean endorsing their politics. That nuance is lost in today’s discourse, which often demands total purity or total exile. But art, like people, is rarely so simple.

I can love “Mr. Crowley” and still rage against apartheid. I can blast “War Pigs” and say Ozzy got it wrong. And I can respect the farewell show while also wishing that one of the final statements of a metal god hadn’t included a blind spot so many in the West still carry.

Again, rest in power, Ozzy. And may the rest of us keep pushing — louder, harder, and more unapologetically — for a world where all people live free from occupation and oppression.

Free Palestine.